Great | ||
16' | Bourdon | 58 Pipes |
8' | Open Diapason | 58 Pipes |
8' | Stopped Diapason | 58 Pipes |
4' | Octave | 58 Pipes |
4' | Chimney Flute | 58 Pipes |
2' | Fifteenth | 58 Pipes |
IV | Mixture | 232 Pps. |
III | Cornet | 174 Pps. |
16' | Clarinet | 58 Pipes |
8' | Trumpet | 58 Pipes |
Zimbelstern | ||
Swell | ||
8' | Violin Diapason | 58 Pipes |
8' | Celeste | 46 Pipes |
8' | Gedeckt | 58 Pipes |
4' | Principal | 58 Pipes |
4' | Octave Flute | 58 Pipes |
2 2⁄3' | Nazard T.C | Prepared |
2' | Octavin | 58 Pipes |
III | Mixture | 174 Pps. |
16' | Bassoon | 58 Pipes |
8' | Trompette | 8 Pipes |
8' | Oboe | Prepared |
Tremolo | ||
Pedal | ||
16' | Dbl. Op. Diapason | 32 Pipes |
16' | Bourdon | Great |
10 2⁄3' | Contra Quint | Prepared |
8' | Octavebass | 32 Pipes |
8' | Flutebass | Great |
4' | Choralbass | 32 Pipes |
III | Mixture | Prepared |
16' | Trombone | 32 Pipes |
8' | Trumpet | Great |
4' | Clarion | Prepared |
Couplers | ||
|
This two manual instrument has mechanical key action and electric stop action with solid state combination action.
The classic red oak case contains the Great 8' Open Diapason, doubled from middle c, and the Pedal 8' Octavebass of polished 80% tin.
The pipe shades and Swell screen are hand carved of white oak for contrast.
The detached, terraced jamb console has a coupling manual, cow bone naturals and ebony sharps. The stop knobs are hand turned rosewood with bone, hand engraved faces.
The organ was designed along with the building in a neo-gothic style. Consultant for the organ was Dr. Charles Boyd Tompkins.