Great | ||
8' | Dulciana | 46 Pipes |
8' | Stopped Diapason | 58 Pipes |
4' | Octave | 58 Pipes |
2' | Fifteenth | 58 Pipes |
II | Mixture | 116 Pipes |
8' | Cremona | 58 Pipes |
Swell | ||
8' | Gedeckt | 58 Pipes |
4' | Chimney Flute | 58 Pipes |
22⁄3' | Nazard | 58 Pipes |
2' | Recorder | 58 Pipes |
13⁄5' | Tierce | 58 Pipes |
8' | Hautboy | 58 Pipes |
Pedal | ||
16' | Subbass | 32 Pipes |
8' | Flutebass | 12 Pipes |
4' | Choralbass | 12 Pipes |
16' | Bassoon | 32 Pipes |
8' | Bassoon | 12 Pipes |
Couplers | ||
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Mechanicals | ||
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This fully mechanical action organ was designed specifically as a teaching instrument. Although a small instrument it is able to play a wide range of literature.
The Great has, in place of a more traditional 8' Open Diapason, a wide scale Dulciana instead as it is located in a small room. By combining the two 8' stops on the Great a solid foundation is formed to support the upper-work.
The Swell is basically a broken Cornet that can be used against the Cremona on the Great for French classic literature. The Hautboy, when combined with the Swell stops forms a suitable sound for the romantic literature.
The Pedal with its judicious mechanical unification, scaling and voicing is a complete independent division.
The coupling manual further increases the usefulness of the instrument by adding a third level of sound without having to change stops.
The case is red oak with walnut moldings.